Kelly Brogan – Feminism and the Election: The Gift of Acceleration

Cars were at a 12 minute standstill and the traffic light repeatedly cycled green to red. In the streets, throngs of sign-toting New Yorkers were giving voice to their passion. There were tears and profanity. The waves of protesters streamed endlessly. “FUCK TRUMP” was the choice mantra of this movement. The perplexed Nepalese driver turned and said in his broken English, “Why is dese womens mad? I know what woman is. Hillary has not even little kindly heart. She is no woman.”

The candidate archetypes

If we can zoom out and dispassionately examine the leading characters in this near-Shakespearean drama, we observe that there is a unique alchemy at play here. For the first time in US history, we have the Democratic Party — perceived as a heart-centered ideology — aligned with a female candidate, and the Republican Party — perceived as cold, self-interested pragmatists — aligned with not just a male candidate, but a caricature of rapacious patriarchy.

With the help of mainstream media’s carefully curated and theatrical representation of reductionist platitudes, an expected voting majority was led down the yellow brick road to meet Oz; Oz, in this case, being the redemptive victory of the first ever female president over this embarrassment of a Republican candidate.

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